The little soprano solos scattered around the piece are meant more as colorings, an obbligato, than a melodic focal point. I always recommend performing Tundra with the optional string quartet or string ensemble parts, but the piece was written with only choir and pianio in mind at first, so the string are more of an extra bonus, if conditions allow for it. I also had three voices on the solo soprano lines for the same reason, although I think a soloist could also speak above the choir in this tessitura.
Otherwise, they easily become buried by the accompanying vocalise lines and the poem is lost. I moved singers around quite a bit to add body to the lines with text. This is a sweeping, almost atmospheric work on a poem by Charles A. There is an alternate accompaniment of string quartet or string ensemble, but I wanted what I felt would be a lighter, more transparent sound of the piano. It is easy to feel that you are treading on sacred land, which Tony so wonderfully expresses in his text.Įlektra performed it in its original form, SSAA with piano accompaniment.
The area is quite barren, and intensely beautiful. Double Choir.I asked him to write a text based on the title, and some photos of a part of my native Norway that is very dear to me the Hardangervidda mountain plateau. Ola Gjeilo: Tundra: SSAAĪ-Z by Publisher. Revolut ops analytical test hackerrankĪdding product Sheet Music. An excellent festival choice for mature women's choirs. Words and music are fused in a poignant, yet lyrical work with a pulse of its own.
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